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Harvardwood ebooks to start up with books published as apps for the iPad

Screen shot 2010-04-13 at 8.41.56 AM.pngReceived the following press release:

Harvardwood is a unique organization of more than 2,500 Harvard alumni,
students, faculty and staff in Hollywood, the media and entertainment
worlds, and the arts. In collaboration with Unlimited Publishing LLC,
Harvardwood is proud to announce an exciting new program to publish e-Books
for the iPad, iPhone, iTouch and other smartphones by its members: http://www.unlimitedpublishing.com/harvardwood

The first release in the Harvardwood series will be “Lawyers, Law and
Social Change” by widely-published legal activist Steve Bachmann ‘73, HLS
‘76. Following it will be “Rough Magicke,” a fantasy novel by John William
Houghton ‘76, and “Summer Love,” a screenplay by filmmaker G. Wayne Miller
‘76 of Eagle Peak Media. Additional titles are expected to appear by
midsummer

This is part of a new program by Unlimited Publishing as the company is launching parallel programs with tother nonprofits and umbrella groups. The books are going to be published as iPad apps. Another example of mainstream publishers being bypassed by new technology.

Things we don’t know about digital publishing

ignorance.jpgIn the first of a series of articles Michael Bhaskar discusses the state of digital commentary. It’s a really good read and makes a lot of sense. It’s about time somebody took on the commentators who are speaking from a platform of ignorance.

… While there is a lot of good commentary, much of it – my own included – too often fails to acknowledge the self-evident truth of digital that, to quote William Goldman, nobody knows anything. Whenever one reads about the impact of digital on publishing, one reads hearsay, rampant speculation and after-the-fact rationalisation. Guessing at the strategy of company X doesn’t mean you know what they are doing. Data is shrouded in veils of corporate secrecy or simply doesn’t exist. Technologies, trends and tastes evolve and die and at a pace that makes predicting tomorrow impossible. At digital conferences the standard speech will claim that: a) consumers expect new things; b) we are in a new world; c) everything is changing; and d) you need to experiment. The actual substance of this: nobody knows anything.

It seems that for publishers digital is defined as much by what we don’t know as by what we do. In the manner of Donald Rumsfeld then, we need to categorize our “known unknowns”, as it will be these that ultimately shape the future of the industry.

Interviews with Wharton School of Business professors in the iPad and NY Times

Screen shot 2010-02-04 at 3.32.10 PM.pngFrom the Wharton website:

Two recent events have rocked the publishing world. First, The New York Times, which many regard as the newspaper of record in the U.S., said it would abandon the practice of providing free online content and start charging regular readers beginning in 2011. And second, Apple’s much-hyped tablet — the iPad — made its appearance. What implications will the Times’ decision have for newspaper publishers and other providers of free online content? How will the iPad re-define what a book means, as well as how it is produced, marketed and delivered? Peter S. Fader, a marketing professor at Wharton and co-director of the Wharton Interactive Media Initiative, and Stephen J. Kobrin, a management professor at Wharton and editor of Wharton School Publishing, weigh in on how these developments could reshape publishing.

(via Resource Shelf)

Microsoft executive leaves to work on the Kindle

nash.jpgAccording to Tech Flash, Mike Nash, a 19 year veteran of Microsoft, is leaving to join the Kindle team. Nash is, or was, Microsoft’s corporate vice president in charge of Windows 7 platform strategy. Nash, according to the article, is familiar with the Kindle business.

Here is a snippet from the press release announcing Kindle for the PC, where Nash is quoted:

“Customers have told us that they want access to a wider variety of content and an increasingly diverse set of form factors,” said Mike Nash, corporate vice president of Windows Platform Strategy at Microsoft. “With the announcement of Kindle for PC, Amazon is making its massive selection of Kindle books available on the world’s most widely used platform. The new Kindle for PC’s use of Windows 7 features such as Jump Lists and Windows Touch demonstrates how Windows 7 makes new things possible.”

Data recovery after the end of the world

end of the world.jpgThere is are major problem with ebooks, or any digital archive, and that is what is the shelf life of the documents and if current technology fails then how do we read them. At least with paper books you don’t need electricity or computers to access the information.

io9 has a summary of a recent New Scientist article on just this topic:

A recent article by Tom Simonite and Michael Le Page in New Scientist tackles this question by positing a minor cataclysm: something bad enough to tear apart civilization as we know it, but not quite enough to kill off humans entirely. Candidates include a pandemic, a financial collapse that would make 2008’s pale in comparison, a severe natural disaster, or just the slow accumulation of decay in society’s foundations.

The question, then, is in the absence of most of the raw materials that powered the construction of our current industrial civilization – there wouldn’t be nearly enough fossil fuels to rebuild from scratch, for instance – whether the survivors of this collapse could make use of the one great resource we would leave behind in huge quantities: information. If we could leave behind the equivalent of a cheat sheet for these post-apocalyptic survivors, could they perhaps bypass the trial and error of rebuilding science and jump straight to the achievements of the 21st century?

Entire Society of Automotive Engineers library now available electronically

Screen shot 2010-02-04 at 3.47.52 PM.pngThe SAE has now finished digitizing thier ligrary of technical papers written between 1906 and 1979 and they are now available as downloadable PDF documents. This means that the Society’s entire library of 88,000 documents is not avaialbe electronically.

You can find the library here.

(via Resource Shelf)

Ereaders popular at University of Kansas

univ of kansas.jpgThe University of Kansas has made 4 Sony Readers available for checkout in its library. According to Rebecca Smith, communications and advancement director for the libraries, they have been so popular that the libraries are going to buy four more.

“We’re trying to meet and anticipate student needs,” Smith says. “E-book readers are something students are incredibly interested in. So far, we’ve had overwhelmingly positive feedback.”

More info here.

…. and publishers think that Apple will be their saviour

android.jpgDownload Squad is reporting that an Apple threatened to remove an iPhone application because it contained a mention, in it’s description, that the app was also a finalist in Google’s Android Developer Challenge. For the app to remain available in the store the developer had to remove any reference to “Android”.

Now I wonder how much publishers will have to put up with when their books enter the Apple store. I suspect it won’t all be the bed of roses that they are expecting.

Full text of new Macmillan ad in Publishers Lunch

And now on to royalties. Three or four weeks ago, we began discussions with the Author’s Guild on their concerns about our new royalty terms. We indicated then that we would be flexible and that we were prepared to move to a higher rate for digital books. In ongoing discussions with our major agents at the beginning of this week, we began informing them of our new terms. The change to an agency model will bring about yet another round of discussion on royalties, and we look forward to solving this next step in the puzzle with you.

A word about Amazon. This has been a very difficult time. Many of you are wondering what has taken so long for Amazon and Macmillan to reach a conclusion. I want to assure you that Amazon has been working very, very hard and always in good faith to find a way forward with us. Though we do not always agree, I remain full of admiration and respect for them. Both of us look forward to being back in business as usual.

And a salute to the bricks and mortar retailers who sell your books in their stores and on their related websites. Their support for you, and us, has been remarkable over the last week. From large chains to small independents, they committed to working harder than ever to help your books find your readers.

Lastly, my deepest thanks to you, our authors and illustrators. Macmillan and Amazon as corporations had our differences that needed to be resolved. You are the ones whose books lost their buy buttons. And yet you have continued to be terrifically supportive of us and of what we are trying to accomplish. It is a great joy to be your publisher.

I cannot tell you when we will resume business as usual with Amazon, and needless to say I can promise nothing on the buy buttons. You can tell by the tone of this letter though that I feel the time is getting near to hand.

All best,
John Continue reading Full text of new Macmillan ad in Publishers Lunch

The gestalt of a book

gestalt.jpgMatt Hayler has a very interesting article on his blog entitled It’s Just a Book – A Problematic Gestalt.

Digitisation, like any disruptive agent, forces us, and at unexpected moments, to confront the unfamiliar constituent parts of our composite forms. When a digital book “doesn’t feel right” we are reminded of how a bound book’s form functions. When an electronic text is reproduced and pirated and sent across the world in a second we are reminded of print’s legal history, its fixedness in space, its immutability, its scarcity. When you read materials which would otherwise would have been unavailable, when you see a first time author able to publicise their work to an ideal audience in 50 countries, when you can look up a word or reference that you’d never normally have made the effort to, then things start to seem different. Do we have the right gestalt? Or rather is the default always correct?